Page under maintenance
sophiewesterlind@gmail.com
Page under maintenance
sophiewesterlind@gmail.com
Amorgos
Oil on linen,
110 x 85 cm,
2023
Their Bed
Oil on linen,
50 x 40 cm,
2023
Bianca
Oil on linen,
50 x 40 cm,
2023
Claudia
Oil on linen,
110 x 85 cm,
2023
Nya Lakan
Oil on linen,
120 x 160 cm,
2023
Poteva essere Ostuni
Oil on linen,
85 x 100 cm,
2023
Piscinas
Oil on linen,
50 x 40 cm,
2023
Non spegnere la mia musica!
Oil on linen,
50 x 40 cm,
2022
Stora Hult
Oil on linen,
50 x 40 cm,
2022
Il Traghetto
Oil on linen,
40 x 50 cm,
2023
De hjälpte honom när han hade gjort sig illa
Oil on linen,
110 x 85 cm,
2023
Sophie Westerlind was born in Stockholm in 1985. |
Education | |
2018 | MA Fine Art, Accademia di Belle Arti di Venezia, Venice, Italy |
2013 | MA Visual Communication, Royal College of Art, London, UK |
2011 | BA Graphic Design and Illustration, Central Saint Martins’ College of Art and Design, London, UK |
Solo Shows | |
2023 | Galerie Norbert Arns, ‘You danced on the carpet and waited for her’. Cologne, DE |
2022 | Casa Testori and Teatro deSidera, ‘Pensa a Knut’, curated by Luca Zuccala and Erica Roccella, Milan, IT |
Spazio NEUTRO, ‘Yes, I used to be a great dancer’, curated by NEUTRO, Reggio Emilia, IT | |
2019 | Museo Diocesano di Belluno-Feltre, ‘L’ultima cena, Sophie Westerlind su Tintoretto’ curated by Gianluca D’Incà Levis, Dolomiti Contemporanee. Feltre, IT |
2015 | Caos Gallery, ‘Intimità’, curated by Giancarlo Gallitano, Venice, IT |
Awards and Scholarships | |
2021 | Combat Prize 2021 12th edition, shortlisted. IT |
2019 | Den Tänkande Handen, Swedish National Scholarship for Drawing, winner. The Royal Castle and Royal Academy of Fine Art, Stockholm, SE |
2012 | Desmond Preston Prize for excellence in drawing, runner up, Royal College of Art, London, UK |
2010 | First Prize Havana Club Illustration Competition, Central Saint Martins’, London, UK |
2006 | Erasmus Scholarship, Università degli Studi di Padova, Padua, IT |
Residencies and Workshops | |
2022 | Cité Internationale des Arts/Konstakademien SE/FR |
2021 | Lido Contemporaneo, residency curated by Andrea Tinterri and Luca Zuccala, Fano, IT |
2020 | Fincantieri S.p.A., In-Edita, curated by Venice Galleries’ View and Forte Marghera, Venice, IT |
2019 | Dolomiti Contemporanee/Progettoborca, curated by Gianluca D’Incà Levis. Borca di Cadore, IT |
2013 | BIOMAB, drawing during dissections at the University hospital of Ghent and Antwerp. Curated by Eleanor Crook, Royal College of Art. Ghent and Antwerp, UK/BEL |
2012 | BIOMAB, drawing during dissections at the University hospital of Antwerp. Curated by Eleanor Crook, Royal College of Art. UK/BEL |
London Zoo and Royal College of Art, ‘Zootopia’, workshop curated by Richard Wentworth, London, UK |
Selected Collective Exhibitions | |
2023 | (upcoming) Swedish Insitute in Rome, duo exhibition together with Giulio Squilacciotti. Curated by Ulf R. Hansson and Stefano Mudu. |
2023 | (upcoming) Venice Time Case, exhibition curated by Luca Massimo Barbero. Monitor, Rome, IT |
2022 | Galerie Ariane C-Y, ‘Orbe’, Pop-Up Show at Rue Froissart 7, Paris, FR |
2022 | Venice Time Case, exhibition curated by Luca Massimo Barbero. Galerie Italienne, Paris, FR |
2021 | Combat Prize 2021 12th edition. Museo Giovanni Fattori, Livorno, IT |
2021 | Lidocontemporaneo, exhibition ‘FORTUNA INSTABILE QUASI POSSIBILE’ curated by Andrea Tinterri and Luca Zuccala. Rocca Malatestiana -Fano, Casa Sponge - Pergola, Artcurial - Milano, IT |
2021 | School of curatorial studies, exhibition ‘Unlikely’, Palazzo Malpiero. Venice, IT |
2021 | State Of, exhibition ‘È sempre una lotta per capire dove devono stare questi corpi’, curated by Andrea Tinterri and Luca Zuccala. Aretè Showroom, Milan, IT |
2021 | Praevenus, exhibition for the benefit of breast cancer prevention and research. ‘Siamo come tronchi della neve’, curated by Andrea Tinterri and Luca Zuccala. Società Umanitaria, Milan, IT |
2020 | Galleria Michela Rizzo, exhibition ‘Assembramenti’, curated by Michela Rizzo. Venice, IT |
2019 | Liljevalchs, ‘Vårsalongen 2019’. Exhibtion curated by Mårten Castenfors. Stockholm. SE |
2019 | Den Tänkande Handen, exhibition curated by Royal Academy of Fine Arts, Gustav III’s Museum of Antiquities, Stockholm. SE |
2018 | Ritrovarsi, Festival d’Arte Contemporanea VI edizione, Sciacca (AG) Curated by Tiziana Papaleo. IT |
2018 | Gandy Gallery, ‘Migration of Energies’. Exhibition curated by Nadine Gandy. Bratislava, SL |
2013 | Royal College of Art Graduation Exhibition, Royal College of Art, Kensington Gore, London, UK |
2013 | Work in progress exhibition, Henry Moore Gallery, Royal College of Art, London, UK |
2012 | ‘Illustration. Literature. Design’, exhibition, Henry Moore Gallery, Royal College of Art, London, UK |
2012 | ‘Visual Editor- Interruption’, exhibition, Hockney Gallery, Royal College of Art, London, UK |
2011 | Central Saint Martins’ College of Art and Design degree show, Nicholls and Clarke, London, UK |
Talks and Teaching Appointments | |
2023 | Boston University, Visting Lecturer, curated by Luca de Gaetano. Venice, IT |
2023 | Università Ca’Foscari, ‘Fincantieri’, curated by Matteo Legrenzi, Poltitical Science. Venice, IT |
2022 | Università degli Studi di Padova, ‘Altre rappresentanze: il lavoro nell’arte e il lavoro di communicare l’arte’, curated by Paolo Graziano. Padua, IT |
2021 | Artist Roundtable Project, curated by Pia Biasi |
2020 | Galleria Michela Rizzo, 'Meet me half-way', in dialogue with Tommaso Speretta. Venice, IT |
2013 | Royal College of Art, RCA Drawing studio, Visiting Lecturer with Anna Suwalowska. ‘Under Attack: exploring narrative and scenes of madness when drawing from life’ London, UKs |
Selected Press | |
2021 | C – Print, ’Meeting Sophie Westerlind’, ed. by Eleonora Savorelli. 12/05/2021 https://www.c-print.se/post/meeting-sophie-westerlind |
2022 | Exibart, ’Il fascino indiscreto del ritratto: Sophie Westerlind al Teatro Oscar di Milano’ ed. by Red. 23/03/2022 https://www.exibart.com/mostre/pensa-a-knut-ritratto-sophie-westerlind-al-teatro-oscar-di-milano/ |
2022 | Exibart, ’Sophie Westerlind, Yes I used to be a great dancer – NEUTRO’ ed. by Ilaria Zampieri, 04/03/2022 https://www.exibart.com/arte-contemporanea/sophie-westrlind-yes-i-used-to-be-a-great-dancer-neutro/ |
2022 | Artslife | Caterina Angelucci | L’intimità del pastello. Lo sguardo sulla carta di Sophie Westerlind a Reggio Emilia. ed. by Caterina Angelucci, 26/01/22 https://artslife.com/2022/01/26/mostra-sguardo-di-sophie-westerlind-a-reggio-emilia/ |
2021 | CAMERAE, Sophie Westerlind, A spontaneous life, ed. by Francesca Iovene https://www.camerae.it/en/interviews/sophie-westerlind/ |
2021 | ArtsLife, L’intuizione della pittura a olio. Conversazione con Sophie Westerlind, ed.by Domenico Russo https://artslife.com/2021/02/14/pittura-intervista-sophie-westerlind/ |
2020 | ArtsLife, Arte balsamo della psiche. La quarantena degli artisti, Sophie Westerlind, ed. by Luca Zuccala https://artslife.com/2020/04/10/arte-balsamo-della-psiche-la-quarantena-degli-artisti-sophie-westerlind/ |
Selected Publications | |
2022 | ’NEUTRO – Sophie Westerlind’, publication for the exhibition ’Yes I used to be a great dancer’, with text by Isabel Young. Ed.by NEUTRO, Venice |
2021 | ’Venice Time Case’, exhibition catalogue ed. by Luca Massimo Barbero, Marsilio Editori. Venice |
2021 | ’Fortuna instabile quasi possibile’, exhibition catalogue, ed. by Lido Contemporaneo, Fano |
2019 | ’Liljevalchs Vårsalong 2019’, exhibition catalogue, ed. by Liljevalchs, Stockholm |
2018 | ’Migration of Energies’, exhibition catalogue ed. by Gandy Gallery, Bratislava |